Silly Story Starters: 3rd Grade Writing Prompts
- Grade band
- 3
- Duration
- 40 minutes
- Skill
- Narrative writing
- Standards
- W.3.3a — Establish a situation and introduce a narrator and/or characters; organize an event sequence that unfolds naturally.
- W.3.3c — Use temporal words and phrases to signal event order.
- W.3.3d — Provide a sense of closure.
- Materials
- Student worksheet (printable, included)
- Story starter cards (printable, included)
- Optional: a device with Giggle Gaps for generating story openings
Learning objectives
- Generate an absurd story opening by selecting words that fit labeled parts of speech.
- Sequence at least five events that follow logically from an illogical premise.
- Apply temporal words and phrases to signal the order of events.
- Compose an ending that provides a clear sense of closure.
- Justify why one continuation fits the opening better than another.
Lesson procedure
Warm-up (5 minutes) — I Do. Read one story starter card aloud: "The purple elephant tiptoed into the principal's office." Think aloud: "That is silly, but I still have questions. Why is the elephant there? What does it want? Who sees it first?" Write two possible next sentences on the board and say which one you would keep, and why. The point students should hear is that a strange opening does not need to be explained — it needs to be continued.
Build a starter (8 minutes) — We Do. As a class, complete Part 1 of the worksheet. Call for a noun, an adjective, and a verb one at a time, without telling students the sentence they are filling. Read the finished sentence aloud. Do it twice so students see that different words produce completely different stories. If you have devices, generate the opening in Giggle Gaps instead (see below).
What happens next (15 minutes) — You Do. Students choose a starter — their own from Part 1, or a card from the cut-apart set — and write at least five sentences continuing it. Remind them to use the temporal word bank so a reader can follow the order. Circulate and ask, "What happened right before this?" to students who are stuck.
Give it an ending (7 minutes) — You Do. Students add two or three sentences that finish the story. An ending does not have to resolve everything; it has to feel finished. Point to the two example endings on the worksheet if students need a model.
Share-out (5 minutes) — Closure. Partners trade papers and underline every temporal word they find, then say one thing that made the ending feel like an ending. Ask two or three pairs to share out.
Printable worksheet
Part 1: Build your own story starter. Do not read ahead! Write one word on each line, then read your sentence out loud.
1. A color: ______________________
2. An animal: ______________________
3. An action verb ending in -ed: ______________________
4. A place in a school: ______________________
Now read it: "The ______(1) ______(2) ______(3) into the ______(4)."
Part 2: What happens next? Write at least five sentences that continue your story. Use a starter from Part 1 or a story starter card.
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Part 3: How does it end? Write two or three sentences that finish your story.
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Two endings that feel finished: "And that is why our class is not allowed to have pets." / "Nobody at school ever talked about it again."
Part 4: Temporal word bank. Circle every one you used. Try to use at least three.
first · next · then · after that · suddenly · meanwhile · a moment later · before long · soon · finally · at last · in the end
Story starter cards. Cut apart and place face-down. Students draw one if they would rather not use their own.
Background for the teacher
The hardest part of narrative writing for a third grader is usually not sentence construction — it is the blank page. Asked to invent a situation, a character, and a sequence all at once, reluctant writers stall before writing anything. This lesson removes the first two so students can spend the whole period on the third.
That is why the openings are deliberately absurd. A realistic prompt ("write about a day at the park") invites students to search for the correct memory, and many decide they do not have one. A talking sandwich has no correct answer, so there is nothing to get wrong. The premise is settled and the only remaining question is what happens next — which is exactly the skill the standard asks for.
Watch for two predictable patterns. Some students will try to explain the absurdity away ("it was only a dream"), which ends the story instead of continuing it; redirect by asking what the character does about the situation. Others will write a chain of unconnected events, each stranger than the last. For those students, the temporal word bank is the fix: requiring "after that" or "before long" forces one event to depend on the previous one.
Silliness is doing pedagogical work here, not decorating the page. If the room gets loud during the share-out, that is the lesson working.
Differentiation
Support. Reduce Part 2 to three sentences and let students dictate before writing. Offer a sentence frame for each temporal word: "First, ______. Next, ______. Finally, ______." Students who freeze at choosing a starter should draw a card rather than build one.
Extension. Require the ending to refer back to the opening sentence, which is a harder closure move than simply stopping. Or have students trade starters after Part 1, so they continue a story someone else began.
English language learners. The temporal word bank is the highest-value scaffold in this lesson and should be enlarged, posted, and reviewed before writing begins — sequence markers are frequent in academic writing and often absent from conversational vocabulary. Allow students to write the first draft in their home language and translate the sequence words only, so the writing task and the vocabulary task stay separate. Card illustrations can be sketched next to the text for students still building English print vocabulary.
IEP / 504. For students with writing-output goals, accept oral retelling recorded on a device in place of Part 2 — the objective is sequencing and closure, neither of which requires handwriting. For attention-related goals, break the fifteen-minute writing block into three five-minute segments with a stretch between. Provide a card rather than Part 1 for students for whom open choice is a barrier.
Answer key (for teachers)
Part 1. Objective only in the parts of speech: item 3 must be a past-tense action verb ("stomped," "danced," "sneaked"), not a state-of-being verb ("was"). Item 4 must name a place, not an object. The resulting sentence will be nonsense, and that is correct.
Parts 2 and 3. Open-ended; accept any response that meets the criteria below rather than looking for a particular story.
- Five or more sentences that follow from the opening rather than restarting it.
- At least three temporal words, used to mark real order and not sprinkled in.
- An ending that stops deliberately. "Then I woke up" is closure, but weak closure — accept it once and push for something stronger on a second draft.
Part 4. Self-check. Students who circled fewer than three should revise before sharing, not be marked down.
Digital extension (optional)
Part 1 builds one story starter by hand. Giggle Gaps builds a longer one in the same way — students supply words for labeled blanks and the finished story appears at the end — which makes it a fast way to generate a different opening for every student in the room, or a new one each time a student wants to start over.
Project one story on the board and write the class continuation together, or let students generate their own and paste it at the top of Part 2. The completed story is the prompt; everything after it is the lesson.